I really enjoyed Regina Barreca’s analysis of approaches to literature in They used to call me Snow White… But I drifted. In the piece, Barreca points out that many women writers are considered secondhand because their subject matter has limited appeal. The same can probably be said about writers who write about the experiences of particular races. As a result, their work is put into categories of African-American, Chicano writing, etc. If we assume that these categories are not simply created by publishers to sell more books then we have to address why these categories exist. These categories remind me of the various types of genre fiction: western, mystery, romance, science fiction, horror writing etc. There are writers who work within these genres but their work is not necessarily considered genre. For example, Cormac McCarthy’s novel, Blood Meridian, can be easily classified as a Western but the work is so good that it transcends the genre and is actually a work of literary fiction. Similarly, Flannery O’Connor’s short story, Everything that rises must converge, can easily be classified as women’s writing because the author is a woman but it’s so good that it transcends the category and is actually work of literary fiction. Finally, Ralph Ellison’s novel Invisible Man can also easily be considered African-American writing but again the work is so good it transcends the category and becomes a work of literary fiction. Therefore, I would argue that it’s not that women or ethnic writers are considered second hand but rather that some of these writers are just not as good (the way that some genre writing is not as good). And the ones that are become literary fiction.